is a long time since it was believed that the theater was the place of masks in what is now the company likes to call the `appearances' seems there is no room for this exciting art form. It is now clear that the power of theater is not recognized in the contemporary world, despite the role that he had been granted, it was gradually replaced by new means common, so, if the tragedy in Ancient Greece had the task of `purify 'the public by the katarsi, today's modern means of entertainment and information passed to preferences and use theatrical activity. In a national climate of depression only those who really believe in this language can go forward and have the tenacity to bring innovative and interesting shows.
The Company Bruzio Ballet is a theatrical scene of the sort in Cosenza by the desire to create something innovative in this area. The theater was often receptor defects of man through the transpositions was entrusted with the onerous task of crystallizing and reveal the evils of humanity by creating a strong partnership between stage and audience. Taking this facet of the company Bruzio Ballet offers a musical, Barabbas, who last November 16 at the Teatro Morelli is now in its seventh representation. That proposal is a narrative rich and deeply moving, fluid, and at the same time full reflections, with a key to fast: it reflects on what is right and lawful to judge another man for his surgery without perhaps knowing the spirits, instill in each of us dwells the good and evil. In this paradox: the theater, the world of fiction has fallen into the real world where everyone wears a mask and judges with relative ease by the way! Such a strong musical background to the protagonist proposes that, in a first analysis, can be considered "anti-hero," Barabbas to recover the human dimension of good and evil, sin and purity. He, in his cell in what is believed to be his last night, goes into a flashback involving the most significant episodes of his life showing a naked, losing his mask is due to sinful man among men.
The musical, performed in Rome at the Greek Theatre, also received the applause of Renato Greek, and expert knowledge of the theatrical world.
The Company Bruzio Ballet is a theatrical scene of the sort in Cosenza by the desire to create something innovative in this area. The theater was often receptor defects of man through the transpositions was entrusted with the onerous task of crystallizing and reveal the evils of humanity by creating a strong partnership between stage and audience. Taking this facet of the company Bruzio Ballet offers a musical, Barabbas, who last November 16 at the Teatro Morelli is now in its seventh representation. That proposal is a narrative rich and deeply moving, fluid, and at the same time full reflections, with a key to fast: it reflects on what is right and lawful to judge another man for his surgery without perhaps knowing the spirits, instill in each of us dwells the good and evil. In this paradox: the theater, the world of fiction has fallen into the real world where everyone wears a mask and judges with relative ease by the way! Such a strong musical background to the protagonist proposes that, in a first analysis, can be considered "anti-hero," Barabbas to recover the human dimension of good and evil, sin and purity. He, in his cell in what is believed to be his last night, goes into a flashback involving the most significant episodes of his life showing a naked, losing his mask is due to sinful man among men.
The musical, performed in Rome at the Greek Theatre, also received the applause of Renato Greek, and expert knowledge of the theatrical world.
the fascinating world of the theater we spoke with Paul Gagliardi choreographer and artistic director of Ballet Company Bruzio.
Despite the crisis facing the world of musical theater, of which she is the choreographer is enjoying considerable success, what is the secret? All of us
company we strongly believe in what we do, although we recognize be of the `mad 'because in this climate of latency invest our energies in a field perhaps too little considered. Yet the very fact of having believed we are giving the real satisfaction.
need to excite emotions, and yet do the choreographer means to transmit their ideas to the dancers, and `other people 'who will say what she thought. How do you find a meeting point?
The profound esteem against the corps de ballet is essential to know that each has something beautiful to give and give. In their individuality can give me so much and I always try to highlight their personal way of interpreting emotion. Not I enter the room with the choreography is ready, create floor plan, all together. It starts with an idea, one input, then it often happens that the `my 'movement on an even better dancer appears: unable to internalize and reflect even better what I was thinking the same!
a play, even better, a musical is made up of singing, acting and dance, but what's before you get to have an outline to follow?
Surely the basis of everything there is a deep understanding between the members of the board of the company followed by the cohesion and comparing free and constructive dialogue with all the others. Behind a show there is always a deep study and extensive research: the character first, then the locations of places. You dig inside themselves to find the right emotion, the one that absolutely must be shared in order to understand their point of view about the characters. The introspective work is the basis of what you take in the scene. Our company does not penalize an art for the other: the agreement of views between me and choreographer Antonio Conti, the director, has resulted in the total mix of dance and drama, which is not always possible to get. All point to the same purpose, to convey emotions to the public, we have achieved this cohesion but it took a long process of discussion to dispel the mistrust initial that, coming from two different worlds `', bringing with us.
Published in Issue 46 MezzoEuro on sale from November 20, 2010.
Despite the crisis facing the world of musical theater, of which she is the choreographer is enjoying considerable success, what is the secret? All of us
company we strongly believe in what we do, although we recognize be of the `mad 'because in this climate of latency invest our energies in a field perhaps too little considered. Yet the very fact of having believed we are giving the real satisfaction.
need to excite emotions, and yet do the choreographer means to transmit their ideas to the dancers, and `other people 'who will say what she thought. How do you find a meeting point?
The profound esteem against the corps de ballet is essential to know that each has something beautiful to give and give. In their individuality can give me so much and I always try to highlight their personal way of interpreting emotion. Not I enter the room with the choreography is ready, create floor plan, all together. It starts with an idea, one input, then it often happens that the `my 'movement on an even better dancer appears: unable to internalize and reflect even better what I was thinking the same!
a play, even better, a musical is made up of singing, acting and dance, but what's before you get to have an outline to follow?
Surely the basis of everything there is a deep understanding between the members of the board of the company followed by the cohesion and comparing free and constructive dialogue with all the others. Behind a show there is always a deep study and extensive research: the character first, then the locations of places. You dig inside themselves to find the right emotion, the one that absolutely must be shared in order to understand their point of view about the characters. The introspective work is the basis of what you take in the scene. Our company does not penalize an art for the other: the agreement of views between me and choreographer Antonio Conti, the director, has resulted in the total mix of dance and drama, which is not always possible to get. All point to the same purpose, to convey emotions to the public, we have achieved this cohesion but it took a long process of discussion to dispel the mistrust initial that, coming from two different worlds `', bringing with us.
Published in Issue 46 MezzoEuro on sale from November 20, 2010.
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